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Q&A with Passion Pictures Passion Pictures Head of CG Jason Nicholas explains how the studio is able to broaden its talent pool through remote workstations and remain on track with Shotgun.

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Meet the Studio: Parasol Island Parasol Island was looking for a way to cut time spent managing projects. In this video testimonial, they tell us how Shotgun now solves that challenge for them, and more!

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Meet the Studio: Mammal Studios We visited Mammal Studios to learn about how Shotgun helps the 12 person team stay nimble and efficient.

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Q&A with The Sequence Group Ian Kirby and Anne Jans from The Sequence Group share how Shotgun helps them deliver complex projects, why pipeline is so important, and the secret to their staying power.

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Making the CG opening for the Pacific Northwest Ballet's 'Nutcracker' Gavin Greenwalt from Seattle-based Straightface Studios talks about using Shotgun in the creation of an all-CG curtain call for the Pacific Northwest Ballet’s 'Nutcracker'.

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Q&A with OMSTUDIOS VFX Supervisor and Director, Timor Kardum, shares insight into the innovative ways OMSTUDIOS uses Shotgun.

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Q&A with FATface VFX Supervisor Alan Lam and Pipeline TD Daniel Wong talk about Hong Kong's competitive marketplace and tackling complex projects with Shotgun.

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A Driving Force: Creating Photo-Real Content for Automotive Brands Brandon Bartlett, CG supervisor at Armstrong White, talks about tackling enormous volumes of CG motion and still imagery for leading automotive brands.

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